Showing posts with label quotable quotes. Show all posts
Showing posts with label quotable quotes. Show all posts

Thursday, January 6, 2011

This is Amazing.



Transcript below. Read More...

I grew up in New York City, between Harlem and the Bronx. Growing up as a boy, we was taught that men had to be tough, had to be strong, had to be courageous, dominating, no pain, no emotions, with the exception of anger, and definitely no fear. That men are in charge, which means women are not. That men lead, and you should just follow and just do what we say. That men are superior; women are inferior. That men are strong; women are weak. That women are of less value. Property of men. And objects, particularly sexual objects.

I've later come to know that to be the collective socialization of men, better known as The Man Box. [shows graphic of box containing classic masculinity tropes] See, this Man Box has in it all the ingredients of how we define what it means to be a man. Now, I also want to say, without a doubt, there are some wonderful, wonderful, absolutely wonderful things about being a man—while at the same time there's some stuff that's just straight-up twisted. [laughter] And we really need to begin to challenge, look at, and really get in the process of deconstructing, redefining, what we come to know as manhood.

This is my two at home—Kendall and Jade. [shows picture of two children, a girl and a boy] They're 11 and 12; Kendall's 15 months older than Jade, and there was a period of time, you know, when my wife, her name is Tammy, and I, we just got real busy, and whip bim bam boom, Kendall and Jade. [laughter] And when they were about 5 and 6, 4 and 5, you know, Jade could come to me, it didn't matter, come to me crying, you know, it didn't matter what she was crying about, she can get on my knee, she could snot my sleeve up, just cry, cry it out, Daddy got you, that's all that's important.

Now, Kendall, on the other hand, and, like I said, he's only 15 months older than her, he come to me crying, it's like, soon as I would hear him cry, a clock would go off, you know; I would give the boy probably about 30 seconds. Which means by the time he got to me, I was already saying things like, "Why you crying? Hold your head up. Look at me. Explain to me what's wrong. Tell me what's wrong! I can't understand you while you crying!" And out of my own frustration, of my role and responsibility of building him up as a man, to fit into these guidelines and these structures that are defined in this Man Box, I would find myself saying things like, "Just go in your room! Just go on—go on in your room! Sit down, get yourself together, and come back and talk to me when you can talk to me like a"…what? [audience: "Like a man."] Like a man. And he's five. years. old.

And, you know, as I grow in life, I would say to myself, "My god. What's wrong with me? What am I doing? Why would I do this?" And I think back, I think back to my father. [shows picture of his family] There was a time in my life when we had a very troubled experience in our family. My brother Henry, he died tragically when we was teenagers.

We lived in New York City, as I said—we lived in the Bronx, at the time—and the burial was a place called Long Island—it was about two hours outside of the city—and as we were preparing to come back from the burial, you know, the cars stopped at the bathroom, you know, let folks take care of themselves, for the long ride back to the city, and the limousine empties out—my mother, my sisters, my aunties, they all get out, but my father and I stayed in the limousine. And no sooner than the women got out, he burst out crying. He didn't want to cry in front of me, but he knew he wasn't going to make it back to the city, and it was better me than allow himself to express these feelings and emotions in front of the women. And this is a man who, 10 minutes ago, had just put his teenage son in the ground—something I just can't even, I just can't even imagine.

The thing that sticks with me the most is that he was apologizing to me for crying in front of me. And at the same time, he was also giving me props, lifting me up, for not crying.

You know, I come to also look at this as this, this fear that we have as men, this fear that just have us paralyzed, holding us hostage to this Man Box.

I can remember speaking to a 12-year-old boy, a football player, and I asked him, I said, "How would you feel if, in front of all the players, your coach told you, you were playing like a girl?" Now, I expected him to say something like, "I'd be sad; I'd be mad; I'd be angry," something like that. No, the boy said to me, the boy said to me, "It would destroy me."

And I said to myself, "God, if it would destroy him to be called a girl, what are we then teaching him about girls?" [applause]

It took me back to a time when I was about 12 years old—I grew up in tenement buildings, you know, in the inner city, and at this time, we're living in the Bronx—and in the building next to where I lived, there was a guy named Johnny. He was about 16 years old, and we were all about 12 years old, younger guys, and he was hanging out with all us younger guys, and this guy, he was up to a lot of no good; he was the kind of kid parents have to wonder, "What is this 16 year old boy doing with these 12 year old boys?" And he did spend a lot of time up to no good; he was a troubled kid, you know, his mother had died from a heroin overdose, he was being raised by his grandmother, his father wasn't on the set, his grandmother had two jobs, he was home alone a lot.

Well, I gotta tell you, we young guys, we looked up to this dude, man. He was cool. He was fine—that's what the sisters said; he was fine, right? He was having sex. You know, we all looked up to him.

So one day, I'm out in front of the house doing something, just playing around, doing something, I don't know what. He looks out his window, and he calls me upstairs. He said, "Hey Ant—" (they called me Anthony growing up as a kid) "—hey Anthony, come on upstairs." Johnny call; you go. So I run right upstairs. As he opens the door, he says to me, "Do you want some?" Now I immediately knew what he meant, because for me, growing up at that time, and our relationship with this Man Box, "Do you want some?" meant one of two things: Sex or drugs. And we weren't doing drugs.

Now my box, my card, my Man Box Card was immediately in jeopardy. Two things: One, I never had sex. We don't talk about that, as men; you only tell your dearest, closest friends, sworn to secrecy for life the first time you had sex. For everybody else, we go around like we been having sex since we was two. There ain't no first time. [laughter] The other thing I couldn't tell him is that I didn't want any. You know, that's even worse. We supposed to be always on the prowl; women are objects, especially sexual objects.

So anyway, I couldn't tell him any of that, so, like my mother would say, to make a long story short, I just simply said to Johnny, "Yes." He told me to go in his room. I go in his room; on his bed is a girl from the neighborhood named Sheila. She's 16 years old. She's nude. She is what I know today to be mentally ill, higher functioning at times; at others, we had a whole choice—words, you know, inappropriate names for her… [he drifts off; he looks pained]

Anyway, Johnny had just gotten through having sex with her—well, he actually raped her, but he said he had sex with her, because while Sheila never said "no," she also never said "yes."

So he was offering me the opportunity to do the same, so when I go in the room, I close the door—folks, I'm petrified. I stand with the back to the door, so Johnny can't bust in the room and see that I'm not doing anything, and I stand there long enough that I could have actually done something. So now I'm no longer trying to figure out what I'm gonna do; I'm trying to figure out how I'm gonna get out of this room.

So in my 12 years of wisdom, I zip my pants down, I walk out into the living room, and, lo and behold, while I was in the room with Sheila, Johnny was back at the window calling guys up. So now there's a living room full of guys, like, you know, like the waiting room at the doctor's office. And they ask me, "How was it?" And I said to them it was good. And I zip my pants up in front of them, and I head for the door.

Now, I say this all with remorse, and I was feeling a tremendous amount of remorse at that time, but I was conflicted, because, while I was feeling remorse, I was excited, because I didn't get caught, but I knew I felt bad about what was happening. This fear of getting outside the Man Box totally enveloped me. It was way more important to me, about me and my Man Box Card, than about Sheila, and what was happening to her.

See, collectively, we as men are taught to have less value in women, to view them as property and the objects of men. We see that as an equation that equals violence against women.

[shows a graphic reading: "The Collective Socialization of Men: Less Value + Property + Objectification = Violence Against Women."]

We as men, good men, the large majority of men, we operate on the foundation of this, this whole collective socialization. We kind of see ourselves as separate, but we're very much a part of it. You see, we have to come to understand that less value, property, and objectification is the foundation, and the violence can't happen without it. So we're very much a part of the solution, as well as the problem. The Centers for Disease Control says that men's violence against women is at epidemic proportions—it is the number one health concern for women in this country and abroad.

So quickly, I'd just like to say, you know, this is the love of my life [shows picture of daughter]—my daughter, Jade. The world I envision for her, how do I want men to be acting and behaving—I need you on board. I need you with me. I need you working with me and me working with you on how we raise our sons and teach them to be men. That it's okay to not be dominating. That it's okay to have feelings and emotions. That it's okay to promote equality. That it's okay to have women that are just friends and that's it. That it's okay to be whole.

That my liberation as a man is tied to your liberation as a woman. [applause]

I remember asking a 9-year-old boy—I asked a 9-year-old boy, "What would life be like for you if you didn't have to adhere to this Man Box?" He said to me, "I would be free."

Thank you, folks. [cheers and applause]

Thursday, December 30, 2010

“Today millions of young women who benefit from the struggles of their mothers and grandmothers and would not give up any of their rights don’t call themselves feminists because it’s not sexy. They believe feminism is dated. They have not looked around, they are not aware that today, in the 21st century, women still do two-thirds of the world labor and own less than one percent of the assets; girls are still sold into prostitution, premature marriage, and forced labor. In times of conflict, war, poverty, or religious fundamentalism, women and children are the first and most numerous victims. Women need all their courage today, as they needed it before.”

- Isabel Allende 

Wednesday, May 19, 2010

O RLY?

"I love all animals. I have a fascination with fish, birds, whales - sentient life - insects, reptiles. I actually choose the way I eat according to the way animals have sex. I think fish are very dignified with sex. So are birds. But pigs, not so much. So I don't eat pig meat or things like that. I eat fish and fowl." 
- Nicolas Cage

I personally like how he threw 'sentient life' in there...

Tuesday, May 4, 2010

Reporting Matters: Rape Culture

There has been a lot of fail going on when it comes to reporting sexual assault and rape. Newspapers seem to dislike using the word rape. They like to substitute 'had sex with.' As in:

"Police in New Jersey's capital say a 15-year-old sold her 7-year-old sister to have sex with as many as seven men and boys." "Have sex with" implies consent. It implies the ability to consent. Agency. Children cannot consent, they cannot 'have sex with.' Do not try and place me in collusion with a 7-year-old's rapist. And do not try and argue that "they didn't mean that, it was just poorly worded." Media outlets substitute rape with "had sex with" all the time. They also like to put rape in quotations too--this article's headline used to read 11-Year-Old Mexican 'Rape' Victim Wants to Keep Baby. Ignoring the byline, which states Despite pressure from women's groups, the 11-year-old is enthusiastic about her impending motherhood, according to sources, are we doubting that this girl was raped? Or is she a 10-year-old Jezebel who seduced her stepfather with her womanly wiles? What, Dear Major News Media Outlet, were you trying to say here?

A woman who was "vomiting and drifting in and out of consciousness" cannot have sex with anyone. And the boys who raped her never "put on condoms and took turns having sex with" anyone--they raped a woman. Who was dying of alcohol poisoning at the time. You read that correctly: two boys carried a woman with alcohol poisoning down some stairs, raped her, and then ran away when Mom came home. (For a full review of all the ways this particular article failed, I suggest reading This is Not an Analysis of Rape Culture. This is a Rant.)

There are so many examples of this kind of 'reporting' that it was hard to just pick a few. There are no small number of people incensed about this wording. And it's not just limited to Media Outlets trying to place agency for the rape on the victim.

Consider this question, posed by NPR's Frank de Ford:
At a certain point, don't you just stop caring whether our athletes - who for some reason or other are always called "role models" - don't you just stop caring whether they behave? Don't you just want to say, "Let the thugs play"?

OK, if they violate the statute law, fine, put them in the hoosegow. But really, otherwise, why are we expending so much angst worrying about the character of our well-muscled celebrities?
No, Mr. de Ford. I do not want to call a rapist a thug and just let him play. I want him in jail, behind bars, with a giant red R on his chest that will be with him in the same way his actions will be with the woman he raped. I want you to stop saying he didn't "behave." Rape is not the same thing as throwing a temper tantrum in the grocery story or trashing a hotel room. Also, this isn't about your NFL-star's 'character.' This is about his actions. He raped a woman. That's against the law. It's not a character assassination, and I do very much care whether anyone rapes another person. And I will continue to care--well-muscled or not. Celebrity or next door neighbor.

"Americans have trouble facing the truth, so they invent the kind of soft language to protect themselves from it, and it gets worse with every generation. For some reason, it keeps getting worse." -George Carlin

Friday, December 5, 2008

Late Night Wowz.

"It's like Through the Looking Glass and Fraggle Rock had a child and it was...Labyrinth."
-Rooms

Tuesday, September 16, 2008

Amazing Analogies

"Returning the Republicans to the White House is like asking the iceberg to save the Titanic."
-Hillary Clinton

Saturday, June 21, 2008

Funnies!

“Oh that's Minnie Driver? The kinda-cute one with the bulbous face?”

Tuesday, June 10, 2008

Finals

Me: My shoulder hurts. Oh! Do you think I could be having a heart attack?!
Rooms: Uh, I think that's lower in your arm.
Me: (disappointed) Oh. (perks up) Do you think I could be having a stroke?!
Rooms: I think when you're happily looking for signs of impending death, it's time to stop studying.

Tuesday, May 6, 2008

The Quotes Keep Coming.

“Demi Moore? She's on one of those 'you look fabulous covers,' 20 30 40, whatever. She looks good...for the age she'll admit to.”


“The two things you don't lose the Academy to is Jews. And the holocaust.”

Tuesday, April 15, 2008

More Quotes!

"Titles can suck, and make marketing difficult. Like Superbad. That title meant nothing, it might as well have been called My Left Ass Cheek."
~Marketing Person

"I'd like to take three of those and just put them together...to make one uber Bacon."
~Roomie


Friday, March 28, 2008

Sophia and Blanch Go to Another Bar

Continuing with Sophia and Blanch's exploits in bar, the same group from the previous post, minus Adam, went to Cabo's Cantina in Santa Monica. Drinks and food, nummy goodness.

Now, I don't normally go for the 'dumb blonde' stereotype, but I'm starting to reconsider the 'dumb blonde Californian' stereotype (that applies to both girls and boys, btw). We order food and drinks and every thing's awesome, except Sophia's toquitos ended up in her purse. But we were really cool about it, the serving guy went and got her new ones AND gave her purse a rather through cleaning. Plus, it's just too much effort to get mad about something minor. But we're doing good, except our waitress disappears. Well, not so much disappears as just ignores us. We had to flag her down to get another round of drinks, and then to get our check. And I mean, laid in wait to find her.

So she FINALLY brought us our check. Three cheers for that ordeal. At that point, I'm pretty much settled on a 10% tip for the non-service. So basically what happens is we all turned in our checks with tip included, but you can't actually charge more than the worth of the bill, so Sophia and Thibault's checks were less than ours; they just picked up what we would have paid in tips and it all evened out. We all paid 10%, which was $8. Well, on my check I wrote 'cash' on the tip line. So we're all almost ready to go when blond bimbo walks up with our bills (amazingly enough, when there's money on the line she's on top of things and we don't have to send out a search party).
Blonde Bimbo: So, I just wanted to check with you guys, you're leaving 8 dollars on 80?
Us: ...
BB: Because I can only put the cost of the bill through the machine, and your total was more than that. So...8 on 80? (We're apparently ignoring the fact that the total of the was STILL a 10% tip.)
US: Yeah, we know. We'd added tips to our total, but we took care of it by having those two add our tips to their bills.
BB: No, what I'm saying is that I couldn't add the full amount you wanted to pay on this, and this is 8 on 80.
Me: Yes, we know, I'm paying my tip in cash, it says so on the tip line. (Blatant lie, but I wanted her to GO AWAY.)
BB: Right, but this is 8 on 80. Is that what you meant to do?
Me: Yes. We know exactly what we did, thanks.
BB: ...OK.
So we finally escape. I was actually considering leaving a little more of a tip, because I'd have felt a little bad despite the uber bad service, but that pretty much clenched it. No extra for you, you actually don't really deserve 10% after that. So we're waiting in the line for Thibault to get his car, when I see over everyone's shoulder our waitress walk up into the door.

BB: Thanks guys, thanks for everything!

So yeah, Blanch and Sophia are officially done and not feeling guilty about that whole incident.

Tuesday, March 25, 2008

Sophia and Blanch Go to a Bar

It's spring break, my friends Jon (of college) and Thibault (of Paris host family) are in town. So we had a great time wandering around Santa Monica and Venice. We walked along the canals, the Venice pier and of course the beach. I also introduced Jon to the wonders of In-N-Out Burgers. So after we meet up with Thibault at Venice, we stop for some food and a drink at this beach side restaurant, then decide to go out. We end up at this hole-in-the-wall bar that doesn't even have a sign out front. My friends Adam and Allison also show up.

It's just your average night out...UNTIL.

Allison is special. She had guys lining up to talk to her. Literally. When one guy vacates, another is right there to fill in. So after guy number two, this Polish guy starts chatting her up. I see him touching her rather...friendly, and step in to talk to her. The guy starts grabbing her around the waist and sort of goosing her. Not classy (though still mostly innocent). Then his short, really drunk friend shows up. He talks to Allison for a while, who introduces herself as...Allison. Well, you may wonder why I'm making a point of saying that. It's because he starts calling her Sophie/Sophia. No idea where that one came from. But I know that he's just...doing it. For no reason. So when his friend makes it apparent that Allison is his, he moves on to me.

The guy pops up and asks me to dance. I'm sitting there going...I dunno dude. So he starts asking me, trying to plead his case. I make him demonstrate his smooth moves and rhythm (of which he only had a little), and the song ends. He also assumes that Adam, who's standing next to me, is my boyfriend. But he still wants to dance with me anyways. But I say, "No, my boyfriend's kind of jealous." He grins and says, "We'll make sure he isn't jealous." I give him a Look and say, "No, I don't think so. He's like, scary jealous. Border-line violent, like almost going to jail violent." He's STILL undeterred.

Since he's so persistent, so I finally give him a chance...as long as he can convince my three chaperons to agree. So he immediately moves over to Adam to convince him to let us dance. They chat for a few minutes, and finally he moves on to Thibault. Adam comes up to me and in a small voice asks, "Um, what was the right answer?" I naturally start cracking up, because the correct answer is there is no correct answer but to just keep messing with his head.

The next thing I know, Thibault is walking away from the guy saying, "No. I will not!" and trying to catch his breath in between gales of laughter. Allison decides that if she has to be Sophia, I get to be Blanch. So when The Dude gets done with Jon, who doesn't so much answer as say, "You can ask her, but don't be surprised by the answer...", he comes up to me and starts asking to dance with me again. So I relent and tell him I'll dance with him...if he can tell me what my name is. So this starts another round of polling my chaperons, and he comes up with neither my real name, nor my fake name. And he starts apologizing for not remembering my name from...yesterday? Apparently, we met when we were checking in at a hotel, and Sophie was with me and three of my other friends were with us, and we all chatted and introduced ourselves.

At that point, we decided it was time to go to bed. So we left the Polish guy and the tiny persistent dude in the bar to sleep and prepare for our next adventure.

Thursday, January 31, 2008

Jems from Class

This script...it's kind of my jam.
--Fellow Producer
You're mixing your metaphors there, buddy.



...and she's got a bubble butt you could bounce a quarter off of...
--Screenwriter
That's why they make Apple-Bottom jeans...



So he starts this rumor that his sister is a hermaphrodite, and photoshops a pair of furry balls on a picture of her...
--Screenwriter
...really?

Tuesday, January 29, 2008

Quotes

"DVDs are like cigarettes in prison here!"
-Fellow Producing Student

Thursday, January 17, 2008

Greatness

So I was sprinting away from my classroom today at 12 minutes until I had to be there, and this was scary prof's class. Naturally, I run into her as I'm running away, and she stops me and exclaims about my hair, which was curly and down. The following was said:

You look like a fairy princess!
~Uber Scary Demanding Prof.

Wednesday, December 5, 2007

Good bye, fair Internship


As my internship with Sunshine Cleaning draws to a close, I reflect on some of my favorite moments, starting with my goodbye from Lesley.

Lesley: Hey, I'm leaving, so let me say goodbye.
Me: Oh, thanks for everything! Keep in touch!
Lesley: Yeah. Call me when you're 21 and I'll buy you a drink.
Me: I'm 22.
Lesley: Oh. There ya go.
exunt

I remember picking up lunch orders, which in and of itself seems like a fairly innocuous task. It is not.

Like the time I went to this cafe, where we eat rather frequently, and stood in line for my pick up. I handed the worker my boss' credit card. Said worker wandered off, then returned and asked me how I wanted to pay. I assured him he already had my credit card, and it would be GREAT if he could go ahead and scan it and give it back. Only he's LOST it. As in, it's not in his pockets, it's not in MY pockets, and it is no where to be found. And I'm holding about 8 people's lunches hostage while this IDIOT is trying to figure out how he lost a credit card. He called about 20 minutes later to say he'd dropped it on the floor and would we please come pick it up at our convenience. Ass.

I remember calling every tea and coffee shop in the greater Los Angeles area searching for Grace's Irish Breakfast Tea. The one and only place that sells it in the entirety of California was out. We had to special order it from the distributor.

I now know what brands of tea, chips, cookies, beverage, and fruit everyone in this office likes.

But all in all, it was a good time. And our movie got in to Sundance, so not a bad way to start things, na mean?

Sexist Hollywood

"According to Broadcast Standards and Practices, penises are great but vaginas are skeevy." -TV Producer.

Short story about this one...this producer is on a show where they were allowed to say 'penis' about 50 times in an episode, and then in another were told they couldn't say vagina. They finally got the OK to use vagina twice, and only in a very dry, emphatically medical way. Because vaginas are skeevy, duh.

Thursday, November 29, 2007

Roommate Love

"Wait...no, it's like, yes, drink sketchy things from Mexican men holding shovels..."

and

"OK, so you're at the nuclear silo, drunk...again..."

~Evan

Monday, November 5, 2007

Quotes 2

"So Jean Claude VanDam comes up to me crying and I said...'Jean Claude VanDam, why are you crying?'"
~Industry Insider to...Jean Claude VanDam

Tuesday, October 23, 2007

Funny Quotes 1

"Give him words written by someone else and he's a genius! But let him speak for himself and he's absolute crap."
~Producer On Tom Cruise